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Sketch No. 05

Sketch No. 05

Regular price $200.00 USD
Regular price Sale price $200.00 USD
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Artist: Siyuan Tan
Medium: Drawing on paper
Dimensions: 25.5 × 18 cm
Artwork Type: Original artist study / sketch
Original / Edition: Unique original

Artwork Concept

This original work on paper examines geography, migration, and the relationship between landscape and cultural memory.

Siyuan Tan frequently uses mountains as symbolic forms. They can represent homeland and continuity, but also distance, boundaries, and the physical barriers that shape human movement.

In Sketch No. 05, these mountain forms are intersected by linear passages that resemble roads, waterways, or routes of travel. Their presence transforms the landscape from a static environment into a space defined by movement.

The inclusion of the horse further strengthens this connection. Within Tan’s broader visual vocabulary, the horse often functions as a symbol of migration, mobility, and passage across cultural and geographical boundaries.

The colored study introduces another layer of transformation. Hard-edged planes and simplified geometric structures move the composition away from conventional landscape drawing and toward a more abstract visual language.

Through this combination of landscape, route, and symbolic form, Tan considers how geography shapes identity—and how memory of place continues to travel even after physical departure.

Artwork Story

Sketch No. 05 explores landscape as a structure of movement, memory, and cultural passage. Across the page, Siyuan Tan develops several variations of a mountainous composition. Angular peaks, sloping lines, and intersecting routes are repeatedly tested, while a simplified horse figure appears within one of the studies, linking the landscape to the idea of movement through territory. The lower color study transforms these structural drawings into a more atmospheric composition. Warm yellow, pink, and red planes create a layered terrain, while directional lines cut through the landscape like roads, paths, or channels. For Tan, landscape is not simply a representation of place. Mountains can suggest homeland, distance, and geographical barriers, while routes introduce the possibility of movement, exchange, and migration. As an original artist study, Sketch No. 05 preserves the moment in which geography begins to shift from physical scenery into a symbolic structure—one capable of carrying ideas of belonging, separation, and cultural movement.

Artist Profile

Discover more works by Siyuan Tan →

Packaging & Shipping

Each artwork is carefully prepared and securely packaged to help ensure safe delivery. Protective wrapping, reinforced corner protection, and sturdy outer packaging are used to safeguard the artwork throughout transit. Package Dimensions: 42 × 34 × 9 cm Package Weight: 0.7 kg If you require custom framing or professional mounting services, please contact us by email before placing your order or prior to shipment. As framing requirements, packaging specifications, destination, and shipping conditions may vary for each artwork, framing and shipping costs will be individually assessed and quoted on a per-artwork basis. Our team will recommend an appropriate packing and shipping solution based on the specific work to help ensure it arrives safely and ready for your space.

Care Instructions

As an original work on paper, this artwork should be displayed and stored with particular attention to light, humidity, and surface protection. Keep the work away from direct sunlight and prolonged exposure to strong artificial light, as excessive UV exposure may gradually affect the paper and drawn surface. Display the artwork in a stable indoor environment away from excessive humidity, heat, and significant temperature fluctuations. Avoid placing it near radiators, fireplaces, air-conditioning vents, or damp areas. For long-term display, archival-quality framing materials and UV-protective glazing are recommended. Avoid direct contact between the artwork and non-archival materials. Do not touch the surface of the paper with bare hands. When handling is necessary, hold the work carefully by the edges with clean, dry hands or suitable protective gloves.

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