Cheng Chang
About the Artist
Cheng Chang is a contemporary artist born in Ningbo, China, in 2002. His practice centers on painting and the exploration of organic forms that exist between the natural world and the human body.
Working primarily with acrylic on canvas, Chang constructs vivid, layered compositions in which plants, tissue, skin, flowers, and internal organs seem to merge into unfamiliar living structures. Rather than depicting clearly identifiable species or figures, he allows these forms to remain intentionally unresolved.
His paintings often move between abstraction and figuration, creating a visual language shaped by growth, mutation, entanglement, and transformation. Through this ambiguity, Chang examines how the body and the natural world can be understood not as separate systems, but as interconnected forms of life.
His recent work continues to explore these biological and psychological tensions through saturated color, fluid structures, and densely layered surfaces.
Selected Exhibitions
Creative Practice
Cheng Chang’s practice begins with the unstable relationship between organic life and bodily perception. His paintings frequently contain forms that recall roots, petals, skin, tissue, cells, or internal organs, yet these references gradually lose their recognizable identities as the composition develops.
Rather than defining a specific organism, Chang creates hybrid structures that appear to grow, mutate, fold, and intertwine. These forms move continuously between abstraction and figuration, allowing the viewer to recognize traces of the familiar without being able to fully name what they are seeing.
In works from the series Between Plant and Body, growth is treated as both a biological process and a psychological condition. It can suggest vitality and regeneration, but also excess, fragility, invasion, and loss of control.
Through saturated color, layered surfaces, and fluid structures, Chang explores the point at which the human body and the natural world begin to overlap. His paintings resist fixed identities, presenting life as something unstable, evolving, and constantly in the process of becoming.
Selected Works