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Can Portrait No. 22
Can Portrait No. 22
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Artist: Zheng Hao
Series: The Can Archive
Medium: Sketch on paper
Dimensions: 18 × 26 cm
Artwork Type: Original figurative sketch
Original / Edition: Unique original
Artwork Concept
Artwork Concept
This original figurative sketch explores silhouette, fashion structure, and identity through exaggerated proportion.
Zheng Hao’s The Can Archive is based on the idea that observation compresses a person into selected visual information. The artist does not reproduce the subject literally; instead, he emphasizes the characteristics that most strongly shape perception.
In this work, proportion becomes central.
The exaggerated shoulder line expands the upper body beyond natural anatomy, while the wide lower garment creates a second large volume beneath it. Together, these forms turn the figure into a nearly sculptural arrangement of masses.
This approach reflects the way fashion can transform the body. Clothing does not merely cover the figure; it changes how the body is read, extending, narrowing, or exaggerating its proportions.
Through Can Portrait No. 22, Zheng Hao turns a standing female figure into a study of constructed appearance. Identity emerges through the interaction between body and garment, revealing how visual presence can be shaped as much by silhouette as by facial likeness.
Artwork Story
Artwork Story
Can Portrait No. 22 captures a female figure through an exaggerated shoulder line and a strongly constructed silhouette. The upper body expands outward into broad angular forms, creating a dramatic contrast with the narrower neck and face. Below, the garment continues into a wide, flowing lower silhouette that gives the figure a sense of weight and sculptural presence. The pose itself remains relatively restrained. Rather than relying on dramatic movement, Zheng Hao allows proportion and clothing structure to define the character of the image. Within The Can Archive, every person is filtered through the artist’s gaze and reduced into a distinct visual “can.” What survives this process is often the feature that dominates memory: a gesture, an accessory, a body type, or a way of dressing. In Can Portrait No. 22, that defining feature is structure. The broad shoulders and expansive lower form transform the figure into a memorable graphic presence, showing how clothing can reshape the body into an entirely new visual identity.
Artist Profile
Artist Profile
Discover more works by Zheng Hao →
Packaging & Shipping
Packaging & Shipping
Each artwork is carefully prepared and securely packaged to help ensure safe delivery. Protective wrapping, reinforced corner protection, and sturdy outer packaging are used to safeguard the artwork throughout transit. Package Dimensions: 34 × 42 × 9 cm Package Weight: 0.8 kg If you require custom framing or professional mounting services, please contact us by email before placing your order or prior to shipment. As framing requirements, packaging specifications, destination, and shipping conditions may vary for each artwork, framing and shipping costs will be individually assessed and quoted on a per-artwork basis. Our team will recommend an appropriate packing and shipping solution based on the specific work to help ensure it arrives safely and ready for your space.
Care Instructions
Care Instructions
As an original sketch on paper, this artwork should be displayed and stored with particular attention to light, humidity, and surface protection. Keep the work away from direct sunlight and prolonged exposure to strong artificial light, as excessive UV exposure may gradually discolor the paper and affect the drawn surface. Display the artwork in a stable indoor environment away from excessive humidity, heat, and significant temperature fluctuations. Avoid positioning it near radiators, fireplaces, air-conditioning vents, or damp areas. For long-term display, archival-quality matting and backing materials together with UV-protective glazing are recommended. The artwork should not come into direct contact with non-archival adhesives or acidic materials. Avoid touching the drawing surface with bare hands. When handling is necessary, carefully hold the sheet by its edges with clean, dry hands or appropriate protective gloves.
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