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Can Portrait No. 20
Can Portrait No. 20
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Artist: Zheng Hao
Series: The Can Archive
Medium: Sketch on paper
Dimensions: 18 × 26 cm
Artwork Type: Original figurative sketch
Original / Edition: Unique original
Artwork Concept
Artwork Concept
This original figurative sketch explores introspection, stillness, and individuality through the seated human figure.
Zheng Hao’s The Can Archive is built on the idea that the act of looking transforms a person into selected visual information. Some figures are remembered through clothing or movement; others through physical proportion or gesture.
In Can Portrait No. 20, the defining element is restraint.
The seated body appears relatively contained, while the folded hands establish a concentrated center within the composition. The slightly tilted torso and turned head prevent the pose from becoming rigid, introducing a subtle psychological tension between presence and withdrawal.
This quieter form of observation expands the series beyond external appearance. Posture begins to suggest an internal condition, allowing the drawing to approach psychological portraiture without relying on detailed facial expression.
Through Can Portrait No. 20, Zheng Hao examines how stillness itself can become a recognizable human characteristic—and how a brief moment of introspection can be preserved as one more distinct “can” within the artist’s archive.
Artwork Story
Artwork Story
Can Portrait No. 20 captures a seated male figure through stillness, folded hands, and a quiet shift of posture. The subject leans slightly to one side, with both hands gathered at the center of the body. The head turns subtly away from a direct frontal view, creating an expression of distance and inward attention. Unlike the more animated figures elsewhere in The Can Archive, this work depends on restraint. Zheng Hao uses a limited number of lines to describe the torso, bent legs, hands, and facial structure, allowing the figure’s psychological presence to emerge from posture rather than action. Within the artist’s “canning machine” concept, each person is processed through observation and transformed into a distinct visual record. In Can Portrait No. 20, what is preserved is a moment of quiet concentration. The folded hands and seated position become the defining characteristics of the figure, compressing an otherwise complex individual into a memorable configuration of body, gesture, and mood.
Artist Profile
Artist Profile
Discover more works by Zheng Hao →
Packaging & Shipping
Packaging & Shipping
Each artwork is carefully prepared and securely packaged to help ensure safe delivery. Protective wrapping, reinforced corner protection, and sturdy outer packaging are used to safeguard the artwork throughout transit. Package Dimensions: 34 × 42 × 9 cm Package Weight: 0.8 kg If you require custom framing or professional mounting services, please contact us by email before placing your order or prior to shipment. As framing requirements, packaging specifications, destination, and shipping conditions may vary for each artwork, framing and shipping costs will be individually assessed and quoted on a per-artwork basis. Our team will recommend an appropriate packing and shipping solution based on the specific work to help ensure it arrives safely and ready for your space.
Care Instructions
Care Instructions
As an original sketch on paper, this artwork should be displayed and stored with particular attention to light, humidity, and surface protection. Keep the work away from direct sunlight and prolonged exposure to strong artificial light, as excessive UV exposure may gradually discolor the paper and affect the drawn surface. Display the artwork in a stable indoor environment away from excessive humidity, heat, and significant temperature fluctuations. Avoid positioning it near radiators, fireplaces, air-conditioning vents, or damp areas. For long-term display, archival-quality matting and backing materials together with UV-protective glazing are recommended. The artwork should not come into direct contact with non-archival adhesives or acidic materials. Avoid touching the drawing surface with bare hands. When handling is necessary, carefully hold the sheet by its edges with clean, dry hands or appropriate protective gloves.
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